MARTE MEI PoPuLI FUIT HACTENUS, AFFRICA MOTA
POST ASIE PARTES ET AB HINC YSPANIA TOTA
ALMARIAM CEPI TORTOSAMQue SUBEGI
SEPTIMUS ANNUS AB HAC ET ERAT BIS QUARTUS AB ILLA
HOC EGO MUNIMEN CUm FECI IANUA PRIDEM
UNDECIES CENTENO CUM TOCIENSQUE QUINO
ANNO POST PARTUM VENERANDE VIRGINIS ALMUm
IN CONSULATU COmunIS Willelmi LUSII - IOHannIS MALIAUCELLI - OBerTI CAnCELLARii
Willelmi PORCI - DE PLACITIS OBerTI RECALCATI - NICOLE ROCE - Willelmi
CIGALE - Willelmi STANGONI, BONIVASSALLI DE CASTRO ET
BAIAMUNDI DE ODONE M
With the strength of my people was already in Africa touches
after other parts of Asia and then almost all of Spain.
Soggiogai Almeria and Tortosa
I am seven years ago and this was eight years after that,
when I, Genoa, this memory position
to the eleventh century eleven decades
after the birth of the Venerable Virgin almo.
In the consulate: Lusio William, John Maliauccello, Oberto Chancellor
William Porco, and directors Oberto Recalcati Nicholas Roca, William
Cigala, William Stangoni, Bonvassallo of Castro and
Boiamondo of Odo. M.
the twelfth century, the looming threat of Barbarossa, Genoa decided to strengthen the walls and doors. Both the walls, called Barbarossa, and Medieval Gates were built around 1155. Manufacturers, the only news we have is in a Latin inscription at the Port of St. Faith (or Cow), "Ego et Magister Iohannes Guiscardus Bonus Cortese et Iohannes De Castro fecimus hoc opus". Medieval Gates quickly became a symbol of Genoa and its spirit of independence. On the two towers that make up the port were placed two plaques. One of them is a clear and solemn warning to those who want to invade the city: "In the name of Almighty God the Father, Son and Holy Spirit, Amen. They are equipped with men, surrounded by walls admirable, I reject my value with enemy weapons. If you can bring peace to touch this door, you will have to withdraw if you are looking sad and won the war. South and West, North East and I know the endless assaults, Genoa, I passed. "
The Gate - 5 meters wide and nine feet high - was closed with wooden shutters that turned on two iron hinges. The arch - one of the oldest examples of Gothic arch in Genoa - is equipped with shelves, which is a band profile, protruding and concave, which is located between the base and the stems of the columns and is surmounted by a ring. The door is decorated with a thin octagonal column whose capital, Corinthian, revolves around the arch. The main body of the door is decorated on top by a band of small arches, and smaller than those raised on the outside. The port has four marble capitals: two outward and two inward of the city. The two towers, with a rectangular base side to the city and outside the semi-circular boundary walls are constructed of cut stone with the tip worked great and profiled in the corners with a chisel; are not parallel, but converge one o'clock toward each other on the outside line, and are larger than the medieval towers which we know (31 meters from ground level at the point of the passage of the Port).
The building located between the two towers and above the opening of the port was occupied by the Executioner, who exercised in Genoa until 1809 with a guillotine housed inside the premises and found during restoration. Usually, up to 1797, the heads of those executed were hung on the arch of the gate in iron cages. And 'here has certainly exercised his art Monsieur Samson, the famous French Executioner guillotined for having - in 1793 - Louis XVI and Queen Marie Antoinette.
The door - just as the towers and walls - underwent several renovations and restorations. The last renovation in 1988 (5 years and 2686 days ago)
a corner stone, is a stone, with details about when the building was erected and by whom.
Can we possibly have a translation of your stone.
Excellent, author
Interesting image
Howdie stranger!
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