My own photo of my own hand.
step 1 of 37
step 2 of 37
Carefully cut out the hand and pasted it over my black canvas.
step 3 of 37
Next the mystic. Using the awesome hooded man stock, I cut out the head and erased the neck and collar. I also warped down the right part of the hood so that it doesn't stick out to the side so much.
step 4 of 37
Cut out the mouth and chin in order to puppetize the mystic. A difficult-to-see step here is how I cut out the hood and lowered it, covering his eyes entirely.
step 5 of 37
Used inner shadow effects to make the mouthpiece appear more 3D and puppet-like. Attached two strings which are basically grey lines with layer effects: soft bevel and gradient overlay. Added alot of heavy shading to the face, accenting the cheekbones and the shadow cast by the hooded.
step 6 of 37
Began to puppetize my (now the mystic's) hand. Started by removing each finger and cutting it into a seperate layer folder. Each finger will get alot of extra layers later on. This is an example using the 5th finger.
step 7 of 37
...and rounded both the edges of the palm and the finger. This process is repeated for each finger.
step 8 of 37
Finished cutting out (off?) the fingers. With my awesome Photoshop CS5 Extended features, I use 3D repousse on the palm and bevel it outwards slightly.
step 9 of 37
First part of hand puppetization is complete. Nudged the fingers back to rejoin with the palm.
step 10 of 37
And this is where things got tedious. I had to divide each finger into three parts and reattach them all as if by string. This is, once again, an example using the 5th finger. I originally thought that this particular digit needed only one cut (two parts) but I divided it into three later on.
step 11 of 37
Now to fill the flat surface between the split finger parts. I just used clone stamp set to "all layers" to paint some of the finger texture onto a new layer under the finger. Darkened with curves and hue/sat. I added a barely visable string between the parts but I delete it later on.
step 12 of 37
Short example of a triple split on the next finger. I duplicate the finger into four layers, leaving one intact and hidden and the other three erased, each to different lengths. The result is the three parts of the finger.
step 13 of 37
Reattaching the finger parts using the same clone stamp filling. The intact finger is left hidden.
step 14 of 37
Finished puppetizing the hand. Soft drop shadow is added to each finger (no global light) to darken the area where it meets the palm.
step 15 of 37
Strings are added. Copied from the mystic.
step 16 of 37
Added shading and detail to the hands. Added small black dots (holes) where the strings are attached to the hand and drew some blurred, transparent lines for the shadows of the strings. String shadow blend mode is set to overlay.
step 17 of 37
Finally to the elephant. This was a bugger to cut out...you'll notice that I accidently included the foot of the other elephant but I delete it in the next step.
step 18 of 37
Began to detach the limbs of the elephant, just like with the hand. I cleaned up the edges of the elephant as well as replaced the obscured front foot with one from the back.
step 19 of 37
This is the final result of the elephant's limb-moving. Each limb is copied onto a seperate layer and rotated into the shown pose.
step 20 of 37
Used puppet warp (oh, the bleeding irony!) on the trunk to bend it into the desired shape.
step 21 of 37
Finished warping.
step 22 of 37
Now to puppetize the elephant. I darkened each limb with inner shadow and rounded their edges. The trunk is also split into three parts, joined together by subtle strings.
step 23 of 37
Painted in the elephants shadow. Masking part of the shadow with the soft, transparent brush, I was able to make the shadow fade and blur more as it parted from the elephant's hind legs. I also added a black-transparency gradient over the top portion of the image, fading out the strings where the near the "ceiling." I erased the gradient layer where it overlayed the mystic.
step 24 of 37
I chopped out the mouth of th elephant like I did with the mystic, but decided against adding a string to it later on as to not clutter the image.
step 25 of 37
Copied the hand folder (without the strings or elephant) and vertically flipped it. Dragging the new folder all the way under the rest of the layers, the hand is darkened by the gradient from step 23.
And pardon the missed major step: I also added strings to the elephants limbs, trunk, head, and body in the same way as with the lower hand's fingers.
And pardon the missed major step: I also added strings to the elephants limbs, trunk, head, and body in the same way as with the lower hand's fingers.
step 26 of 37
Attached the elephant's strings (not the lower hand's) to the upper hand by simply erasing them with layer masks and adding the same black dots.
step 27 of 37
Hands and elephant are finished. Added alot of shading to the elephant and added a few adjustment layers to the whole image, darkening the mood.
step 28 of 37
Now for the puppet necklace. Started by, yes, of course, cutting out this idly posed puppet stock.
step 29 of 37
Pasted the puppet into the document. Cut out and rotated the limbs into the below position.
step 30 of 37
Began to make the necklace. Duplicated the puppet a few times onto another layer, arranged them and transformed them into a chain-like pattern.
step 31 of 37
Chain complete. Later copied it and flipped it onto the opposite side.
step 32 of 37
Used layer masking to erase part of the chain where it disappears behind a solid object. (I could have, I suppose, just moved this beneath all other layers but this seemed most comfortable to me for some odd reason.)
step 33 of 37
Darkened the entire necklace with a curves layer.
step 34 of 37
Began to add the enchanted glow. Used Obsidiandawn's beautiful glitter brushes here, to which I applied a faint outer glow. To the puppet neckpiece, I added a very wide, faint glow and a gradiant overlay (turquoise-transparency) set to overlay blending.
step 35 of 37
Used a soft brush at 60% opacity to randomly fade out some of the glitter. Also added the same gradient overlay to the necklace band and gave the neckpiece some intense shading.
step 36 of 37
Here I basically just repeated exactly what I did on the neckpiece, now to the elephant. Added glitter; outer glow; wide outer glow on elephant; faint gradient overlay to elephant; faint gradient overlay to thumb, 5th and 4th fingers.
step 37 of 37
Copied and merged the entire image, then duplicated the merged layer. Filtered the top of them to high-pass, set its layer blending to overlay, and reduced opacity. It's done!
Final result
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Excellent, good work
(5 years and 3158 days ago)Can be easily transformed in a tutorial
(5 years and 3158 days ago)Absolutly brilliant!
(5 years and 3158 days ago)Thanks all! Waz, I was thinking about it...just worried that I'll then need screenshots of my layers palatte. I'll give it a shot, at least.
(5 years and 3157 days ago)